| 陶诗与鸟——兼论陶渊明玄学人生观的诗意转换 |
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| 引用本文： | 白振奎. 陶诗与鸟——兼论陶渊明玄学人生观的诗意转换[J]. 南昌大学学报(人文社会科学版), 2002, 33(3): 117-120 |
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| 作者姓名： | 白振奎 |
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| 作者单位： | 上海财经大学人文学院,上海,200433 |
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| 摘 要： | 魏晋士人的诗文中 ,存在大量的鸟意象 ,而尤以陶渊明为甚。鸟意象积淀了深厚的象征意味 ,是自由与和谐的表征。鸟贯穿于渊明前后期诗歌创作 ,是了解渊明思想转换、诗意回归的切入点。研究渊明前后期诗歌中鸟意象的发展 ,有助于把握渊明的玄学人生观 ,同时也有助于领略魏晋玄学思想的走向和流变。
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| 关 键 词： | 陶渊明 诗 魏晋玄学 鸟意象 |
| 文章编号： | 1006-0448(2002)03-0117-04 |
| 修稿时间： | 2002-02-05 |
Tao Yuan- ming''s Poems and Bird Image |
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| BAI Zhen-kui. Tao Yuan- ming''s Poems and Bird Image[J]. Journal of Nanchang University(Humanities and Social Sciences), 2002, 33(3): 117-120 |
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| Authors: | BAI Zhen-kui |
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| Abstract: | Tao Yuan-ming was a famous poet in the Wei-Jin dynasty whose poems are full of bird images.The bird is free and harmonious,and it shows different characteristics during each life period.The bird is not only the soul of Tao's poems,but also the hint to understand the spirit about his poems.Besides,it's a key that helps us catch and analyse the philosophy of the Wei-Jin dynasty. |
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| Keywords: | Tao Yuan-ming Wei-jin metaphysics bird image |
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