| 《礼记·乐记》与孔子的"兴观群怨" |
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| 引用本文： | 杨隽.《礼记·乐记》与孔子的"兴观群怨"[J].北方论丛,2005(6):11-14. |
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| 作者姓名： | 杨隽 |
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| 作者单位： | 哈尔滨师范大学,中文系,黑龙江,哈尔滨,150080 |
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| 摘 要： | 诗乐舞一体是文学发生时期的重要特征.<乐记>作为中国第一部专门的乐论,系统地阐释了音乐的发生,音乐的作用及美学境界诸问题,其关于音乐的重要观点与儒家诗论一脉相承,孔子的"兴观群怨"思想对<乐记>的影响尤为深刻.
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| 关 键 词： | <乐记>孔子 兴观群怨 |
| 文章编号： | 1000-3541(2005)06-0011-04 |
| 收稿时间： | 06 25 2005 12:00AM |
| 修稿时间： | 2005年6月25日 |
YueJi And Confucian "Xing, Guan, Qun, Yuan" |
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| YANG Juan.YueJi And Confucian "Xing, Guan, Qun, Yuan"[J].The Northern Forum,2005(6):11-14. |
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| Authors: | YANG Juan |
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| Institution: | Harbin Normal University, Haibin, Heilongjiang 150080, China |
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| Abstract: | Poem, Music and Dance of same souce are the main characeristics in the early period of literature. This is lead to the consistency of poem and music , therefor poem theory and music theory evitably communicate each other. Yuejiis the first edition on music theory which systematically mentioned how music came into being , what was it function, the spirit art and so on. The main view on music inherited the Confision Poem Theory and the Confucian theory of Xing, Guan, Qun, Yuan deeply affected YueJi . |
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| Keywords: | YueJi Confision Xing Guan Qua Yuan |
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