| 山地纪录片的边界及形态 |
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| 引用本文： | 肖平. 山地纪录片的边界及形态[J]. 南京航空航天大学学报(社会科学版), 2009, 11(3): 62-65,88 |
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| 作者姓名： | 肖平 |
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| 作者单位： | 南京航空航天大学 艺术学院,江苏,南京,210016 |
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| 摘 要： | 早在中国现代文学发端期,鲁迅、茅盾和周作人就乡土文学和地域文学的概念等就有了明确的界定,其中,以周作人的自然情趣说和鲁迅等人的生存批判说为主。从20世纪中期开始,欧美国家开始推出"文化研究"战略,其中,地域文化成为一种策略和取向。在中国20世纪80年代,从文学界开始形成地域文学创作和文化研究潮流,广泛涉及中国文学、人类学、历史学、哲学、民族学、人文地理学、宗教学等多种学科领域,并明确界定地域文学及其文化范畴。当代纪录片也不例外,纪录片导演地理意义上的流动迁徙和重返,则形成了其纪录片创作视域的现象及其影像构成。
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| 关 键 词： | 山地 纪录片 形态与构成 |
Border and Forms of Mountain Documentaries |
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| XIAO Ping. Border and Forms of Mountain Documentaries[J]. Journal of Nanjing University of Aeronautics & Astronautics(Social Sciences), 2009, 11(3): 62-65,88 |
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| Authors: | XIAO Ping |
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| Affiliation: | College of Arts;Nanjing University of Aeronautics and Astronautics;Nanjing;Jiangsu 210016;China |
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| Abstract: | As early as in the springing period of modern Chinese literature,LU Xun,MAO Dun,ZHOU Zuo-ren clearly defined country literature and regional literature,mainly represented by ZHOU Zuo-ren's view of nature sentiment and LU Xun's existence critic.Since the mid 1900s European and American countries has been promoting the strategy of "cultural research",among which regional culture is a tactic and orientation.Since the 1980s the stream of regional literature creation and culture research has been formed in China... |
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| Keywords: | mountain documentary forms and components |
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