| 《中原音韵》与晚明曲学的理论建构 |
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| 引用本文： | 程芸. 《中原音韵》与晚明曲学的理论建构[J]. 东南大学学报(哲学社会科学版), 2007, 9(5): 103-106 |
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| 作者姓名： | 程芸 |
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| 作者单位： | 武汉大学,艺术学系,湖北,武汉,430072 |
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| 摘 要： | 如何看待《中原音韵》与南曲的关系,是晚明曲学论争的一个焦点。相关研讨,既涉及具体的音韵学问题,也折射出明中叶以后某些具有普遍性的社会文化心理。
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| 关 键 词： | 《中原音韵》 《洪武正韵》 晚明 文化心理 |
Syllables and Rhyme of Standard Chinese and theoretical construction of traditional opera in late Ming Dynasty |
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| CHENG Yun. Syllables and Rhyme of Standard Chinese and theoretical construction of traditional opera in late Ming Dynasty[J]. Journal of Southeast University(Philosophy and Social Science ), 2007, 9(5): 103-106 |
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| Authors: | CHENG Yun |
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| Abstract: | How to define the relation between Syllables and Rhyme of Standard Chinese and nanqu tunes(Southern Operas)? This remains a focus of study on traditional operas in the late Ming Dynasty.The relevant researches not only involve some specific phonologic problems,but also reflect the social and cultural psychology of the Mid Ming Dynasty and the following periods. |
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