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关于大巧若拙美学观的若干思考
引用本文:朱良志. 关于大巧若拙美学观的若干思考[J]. 北京大学学报(哲学社会科学版), 2006, 43(3): 33-41
作者姓名:朱良志
作者单位:北京大学,哲学系,北京,100871
摘    要:大巧若拙是中国美学的重要命题。这一命题包含去机心重偶然、去机巧重天然、去机锋重淡然等内容,体现出中国美学师造化、轻人工的理论倾向。中国美学还将拙视为生命存养之方,强调回复生命的本然境界,它是传统美学颐养心性理论的组成部分。中国美学民族特点的形成与这一命题有密切关系,它对中国美学的历史发展也有影响作用。

关 键 词:大巧若拙  机心  机巧  机锋  平淡
文章编号:1000-5919(2006)03-0033-09
收稿时间:2005-12-20
修稿时间:2005-12-20

Thoughts on the View that Wisdom Is Often Disguised as Slow-Wittedness
ZHU Liang-zhi. Thoughts on the View that Wisdom Is Often Disguised as Slow-Wittedness[J]. Journal of Peking University(Humanities and Social Sciences), 2006, 43(3): 33-41
Authors:ZHU Liang-zhi
Affiliation:Dept. of Philosophy, Peking Unviersity, Beijing 100871
Abstract:An important proposition in Chinese aesthetics has it that a wise man often appears slow-witted. This proposition constitutes an important part of the theory on the cultivation of the mind, which values fortuity rather than plan, natures rather than art, and spontaneity rather than keenness, etc. The forming of the national characteristics of Chinese aesthetics is closely related to this proposition.
Keywords:Wisdom disguised as slow-wittedness   keenness   spontaneity
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