| 《雌木兰》之缠足辨 |
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| 引用本文： | 张惠.《雌木兰》之缠足辨[J].井冈山大学学报（社会科学版）,2010,31(3):99-102. |
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| 作者姓名： | 张惠 |
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| 作者单位： | 中国社会科学院文学研究所博士后流动站,北京,100732 |
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| 摘 要： | 徐渭的《雌木兰》中,有生活在唐代之前的木兰缠小脚的情节。从木兰之形象塑造来看,一是增加了此剧的喜剧化色彩;二是颊上三毫,活化和丰富了木兰这个形象。从作者之用心来看,木兰的屈身从俗实与其《四声猿》的命意有关。是＂文长有所感而发焉,皆不得意于时之所为也＂。
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| 关 键 词： | 徐渭 雌木兰 小脚 |
Why Mulan Has Bound Feet in Xu Wei's Play |
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| ZHANG Hui.Why Mulan Has Bound Feet in Xu Wei''s Play[J].Journal of Jinggangshan University(Social Sciences Edition),2010,31(3):99-102. |
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| Authors: | ZHANG Hui |
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| Institution: | ZHANG Hui(Postdoctoral Research Center of the Institute of Literature,CASS,Beijing 100732,China) |
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| Abstract: | In Female Mulan,a play written in Ming Dynasty,Mulan has bound feet,which is impossible for the heroine who lives in North-South Dynasty.Author of this paper hereby tries to prove that the writer＇s alternation of Mulan＇s image is for two considerations： one is comedic touch of the play and enrichment of the heroine＇s characteristics,and the other is a yell against grief and indignation. |
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| Keywords: | Xu Wei Female Mulan bound feet |
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