| 果壳的快乐——论欧洲绘画的自由精神 |
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| 引用本文： | 张懿. 果壳的快乐——论欧洲绘画的自由精神[J]. 河南教育学院学报(哲学社会科学版), 2006, 25(2): 149-151 |
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| 作者姓名： | 张懿 |
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| 作者单位： | 河南教育学院,艺术系,河南,郑州,450014 |
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| 摘 要： | 绘画作为一种表达形象的手段,基于有限的平面衍生出无限的意境。绘画必经由技术才能进入自由之途,绘画的自由只是精神的、相对的,自由精神本身需要一定的束缚和必要的规则。
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| 关 键 词： | 绘画 自由精神 技术 |
| 文章编号： | 1006-2920(2006)02-0149-03 |
| 修稿时间： | 2005-09-11 |
The Happiness of Pericarp--The Free Spirits of Europe Painting |
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| ZHANG Yi. The Happiness of Pericarp--The Free Spirits of Europe Painting[J]. Journal of Henan Education Institute(Philosophy and Social Science Edition), 2006, 25(2): 149-151 |
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| Authors: | ZHANG Yi |
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| Abstract: | As a way to search freedom, painting also fill with the spirits of free. We can express our limitless idea through painting. The technique of painting is the basis of painting art development. Therefore, the free of painting only alive in spirits and relative things. However, the free spirits itself needs a certain bondages and essential rules. |
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| Keywords: | painting free spirits technique |
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