| “《诗》无达诂”的美学历程 |
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| 引用本文： | 张金梅,陈祥波.“《诗》无达诂”的美学历程[J].湖北民族学院学报(自然科学版),2009,27(1):86-91. |
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| 作者姓名： | 张金梅 陈祥波 |
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| 作者单位： | 湖北民族学院文学与传媒学院,湖北,恩施,445000
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| 基金项目： | 国家社会科学基金西部项目，湖北省教育厅人文社会科学研究重点项目 |
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| 摘 要： | 自董仲舒明确提出“《诗》无达诂”后，从汉迄清，关于《诗经》的研究逐步经历了汉学传统、宋学传统以及汉宋之争，以不可辩驳的事实证明了阐释的可能是不可穷尽的。而其研究历程则在理论内涵上显示出中国阐释学的“从变”和“从义”特色。
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| 关 键 词： | “《诗》无达诂” 从变 从义 中国阐释学 |
The Aesthetics Course of "the Idea not to Make the Book of Poem Clear" |
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| ZHANG Jin-mei,CHEN Xiang-bo.The Aesthetics Course of "the Idea not to Make the Book of Poem Clear"[J].Journal of Hubei Institute for Nationalities(Philosophy and Social Sciences),2009,27(1):86-91. |
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| Authors: | ZHANG Jin-mei CHEN Xiang-bo |
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| Institution: | School of Literature and Communications;Hubei University for Nationalities;Enshi 445000;China |
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| Abstract: | The research of the Book of Poem worked through Sinology, Songlogy and debate between them ever since from dynasty Han to Qing since Dong Zhongshu put forward brightly the idea not to make the Book of Poem clear,and indisputably proved that the possibility of explanation is inexhuastive.The course also displayed the features of Chinese hermeneutics to obey changes and obey meaning in the theoretical connotations. |
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| Keywords: | the Idea not to Make the Book of Poem Clear to obey change to obey meaning Chinese Hermeneutics |
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