易卜生戏剧中婚姻男女地位与关系的变迁

《玩偶之家》、《群鬼》和《海上夫人》是易卜生戏剧中比较集中探讨婚姻中男女地位和关系问题的戏剧。这三部戏剧揭示出男人与女人在婚姻中经历了和谐(《娜拉》)——对立(《娜拉》《群鬼》)——无奈(《群鬼》《海上夫人》)——新的和谐(《海上夫人》)这样一个螺旋上升的循环过程。描写了和谐婚姻关系对家庭、孩子的重要性。娜拉、阿尔文太太、艾梨达三个女主人公的塑造,反映出易卜生对人生的认识由浅入深的过程。

Change of Status of Wedlock Men and Women in Ibsen's Dramas

"A Doll's House"(1879),"Ghosts"(1881)and "The Lady from the Sea"(1888)by Henrik Ibsen(1828-1906)are a series of dramas which focus on the exploration of the status and nexuses of wedlock men and women.The nexuses of wedlock men and women in these three dramas undergo a spiraling-up process from a false harmony("A Doll's House"),opposition("A Doll's House"Ghosts"),helplessness("Ghosts"The Lady from the Sea")to a genuine harmony("The Lady from the Sea").Their nexuses also render a great influence on their children's lives.The difference in the action and ideas among Nora Helmer,Mrs.Alving and Ellida Wangel reveals the maturity of the thinking of Ibsen,the dramatist and his deepening understanding of human life.