本土蜕变:载道的艰难与自我的张力--析论20世纪20～40年代马华文学本土变迁轨迹

如果从本土的视角来参详马华文学史,南洋色彩的提倡(1927-1930)、马来亚地方作家论争(1934)和“马华文艺独特性”论争(1947-1948)这三个基点不仅引人注目,而且至关重要。重新思考它们的意义不是重复劳作,而是在部分重现历史现场的基础上,考察马华文学本土在20世纪20-40年代演变的粗线条轨迹,同时指出其中的悖论/吊诡和张力,也希望能够借此从不同视角(1.文学地理的具象化;2.文学层面的质变;3.文化/政治:捆绑的复杂化)探勘本土蜕变的谱系学。

The Trails of Malayan Chinese Arts'''' Development in Terms of Nativeness from 1920S-40S

The advocating of Nan Yang Color,the disputes on Malaya local authors and specialties of Malaya Chinese Arts would play a very important role if we can read history of Malayan Chinese literature from the perspective of Nativeness.Rereading doesn't mean repetitive work,but to explore the development trails of nativeness from 1920s-40s.Through partly reviving the historical field of that period,we may not only point out the paradoxes and tensions in the development,but also describe the genealogy of nativeness derivation from different aspects.