隐喻视域下台湾“现代诗派”诗歌风格嬗变研究

从修辞学、诗学视角出发,以隐喻为切入点,对台湾“现代诗派”诗歌文本中的隐喻模式、隐喻的生成机制、隐喻类型、隐喻意象以及隐喻的本体与喻体双重视野之间的距离等因素进行的综合分析显示:台湾“现代诗派”对西方现代主义文艺思潮的习染和反思过程大致经历了技法移植、西化质疑和传统内转等三个时期.这三个时期诗歌中的隐喻在共时层面上分别有着相对稳定的深层结构模式,即替代式、范畴错置式和虚实结合式,而在历时层面上则呈现出隐喻风格从夸饰性到抽象性最后向明喻化演变的轨迹.在这一演变历程中,隐喻以“纯粹语言学的否定性策略”,不但实现了台湾现代主义诗歌与西方现代主义艺术一脉相承的“先锋精神”,而且在对西方现代主义艺术观念进行反思的同时,推进了台湾“现代诗派”不断走向艺术自律的过程.以此为基础,重新发掘出了杨炽昌及其所倡导的风车诗社对台湾现代主义诗歌运动的先锋性实验价值与贡献.

On the Transmutation of the Poetic Style of Taiwanese Modernist School of Poetry from Metaphor Horizonte

From the view of rhetoric and poetric in general,this paper analyzes different genres of metaphorical modes,the production mechanism of metaphor,the types of metaphor,sensuous images,relationships between metaphor’s double images of body and vehicles,Production mechanism about metaphor and so forth which are involved in Taiwanese modernism poetry,and therefore finds that there are three periods in the process of the modernism school of poetry learning from and introspecting the trend of thought of western modern literature and art: first,technique transplanting period,second,westernization questioning period and third,tradition returning period.In terms of synchronic,these three periods respectively have stable structural modes which are the mode of replacement,the mode of category mismatches and the mode of traditional turning.In the terms of diachronic,these three periods show an evolution from exaggerating to abstractness,and finally to the style of simile.Thus,by means of "the negative plot of pure linguistics",metaphor makes the Taiwanese modernist poetry not only achieve the spirit of vanguard which was inherited from western modern art,but also react to the western modernistic autonomy system,and at the same time head for the artistic autonomy system of Taiwanese modern poetry its own.Based on this,Yang Zhichang and the experimental values and contributions brought by Windmill Poetry Society which is initiated by him to Taiwanese modernist poems must be re-excavated.