二十世纪四十年代东西方马克思主义视域下毛泽东文艺主体性理论的现代性思考

文艺的主体性原则由近代启蒙运动创建。毛泽东的《在延安文艺座谈会上的讲话》对文艺主体性的释读显然具有积极的超越性和重大的重建性。如何使文学艺术家了解人民、熟悉人民,不单是一个实践问题,也是一个重大的理论问题。毛泽东对此问题的见解超越了当时一切马克思主义文艺理论权威,对今天现代性视域中重建文学艺术家与现实生活关系,文学艺术家与人民大众关系的理解仍具有范式意义。《在延安文艺座谈会上的讲话》不仅代表了东方马克思主义创建文艺主体性、重建现代性文化理解的强劲而富有个性的声音,而且也是对西方马克思主义无法突围自身传统和语境的超越。在当代马克思主义全球化语境中,对《在延安文艺座谈会上的讲话》的现代性研究具有极为重要的当下文化意义。

Contemporary Thinking of Mao Zedong''''s Subjective State of Literature and Art in the Eastern-and-western Marxist View of the 1940s

Subjective state of literature and art was initiated in Modern Enlightenment Movement.Its tran- scendence and significance was expounded in Mao Zedong's Talks at the Yan'an Forum on Literature and Art.How to make litterateurs and artists understand the masses,practically and theoretically,remained a vital problem.Mao Zedong put forwards his viewpoints on the issue,rebuilding the relationship of artists and daily life with modern sense and marking a mode for the understanding of the relation.Mao Zedong's Talks at the Yan'an Forum on Literature and Art represents not only eastern Marxist view on building subjective state of lit- erature and art,a prelude of rebuilding modern culture understanding,but also a transcendence of western Marxism.In modern global context of Marxism,studying the modern meaning of Mao Zedong's Talks at the Yan'an Forum on Literature and Art is of importance for current cultural connotation.