| 谈钢琴演奏中的放松 |
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| 引用本文： | 季仲玲. 谈钢琴演奏中的放松[J]. 南都学坛, 2000, 20(1): 117-118 |
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| 作者姓名： | 季仲玲 |
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| 作者单位： | 河南南阳师专音乐系,河南,南阳,473061 |
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| 摘 要： | 钢琴演奏中的放松，不仅要做到整体的协调放松，还要做到心理的放松。但在这两种“放松”中，学生最易出现相反的肌体和心理的紧张。针对这两种弊端，找出解决的方法，能够使学生在长期而充分的整体和心理以及技术上的准备之后，就可满怀信心，把音乐中所包含的情感和美感传递给听众。
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| 关 键 词： | 放松 整体协调 心理放松 |
| 文章编号： | 1002-6320(2000)01-117-02 |
| 修稿时间： | 1999-05-18 |
Relaxation in Piano Performance |
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| Ji Zhong-ling. Relaxation in Piano Performance[J]. Academic forum of nandu, 2000, 20(1): 117-118 |
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| Authors: | Ji Zhong-ling |
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| Abstract: | Piano performance does not only request a relaxation of muscles, but also a relaxation of mind. But in the performance, the students are likely to be keyed up both physiologically and psychologically. A good solution of the problem can make the students, after being fully prepared, convey confidently the emotion and sensuous pleasure of the music to audience. |
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| Keywords: | relaxation psychological relaxation |
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