非主流美学的崛起

中国的美学研究，在20世纪80年代对西方美学的非理性转向、批判理论转向、语言学转向、后现代转向等一阵密锣紧鼓的译介热之后，到90年代陷于冷寂的低谷。那种模拟西方对立二分的哲学美学，那种本质论、认识论、实践论和伦理学的概念推演已经走向终结。一些中青年美学学者并没有停止他们的思考。他们试图超越在意识形态笼罩下主流、反主流的对立二分，在传统美学的边缘地带进行着当代非主流美学的构建。

Growing up of the Non-mainstream Aesthetics

After the upsurge of the close heeling translation and introduction of the irrational turning, the turning of critic theory, the linguistic turning and the turning of postmodernism of western esthetics in 1980s, the investigation of esthetics in China fell into downturn in 1990s. The philosophic esthetics simulating the antinomy and separate thoughts in West, and the conception deducing of metaphysics, epistemology, practical theory and ethnics have arrived in the end. Some young and midlife scholars have not stopped their thinking. They try to succeed the antinomy and separating thinking mode that has been pavilionned by the mainstream ideology, constructing the contemporary non-mainstream esthetics on the edge of the traditional esthetics.