| 夜莺之歌 |
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| 引用本文： | 赵亚麟.夜莺之歌[J].贵州民族学院学报,2005(6):92-96. |
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| 作者姓名： | 赵亚麟 |
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| 作者单位： | 贵州民族学院,外国语言学院,贵州,贵阳,550025 |
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| 摘 要： | 济慈诗歌的走向恰似一个矛盾的组合,就像一枚钱币的两面,一面是直觉与想象的迷狂,另一面是理智的顿悟和伸张。所以,他总是处在半醉半醒的状态。他善于制造各种对立而不作解答,给读者留下巨大的审美和想象的空间,这在《夜莺颂》和《忧郁颂》中尤为明显。在这两首诗中,济慈一反闲适、平和与宁静的常态,以其强烈的移情向我们展示了他迅疾狂迷的另一面。
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| 关 键 词： | <夜莺颂>浪漫主义 华兹华斯 忧郁 迷狂 |
| 文章编号： | 1003-6644(2005)06-0092-05 |
| 修稿时间： | 2005年9月23日 |
Song of Nightingale |
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| Zhao Ya-lin.Song of Nightingale[J].Journal of Guizhou University for Nationalities,2005(6):92-96. |
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| Authors: | Zhao Ya-lin |
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| Institution: | Zhao Ya-lin |
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| Abstract: | Keats' poems is just like a combination of contradictions,as well as the two sides of a coin,with one side being direct and imaginary craziness and the other reasonable comprehension and extension.Therefore.Keats was always living in a half-drunk and half-woken state.He was good at creating different oppositions but with no answers,thus leaving the reader room to appreciate beauty and display their imagination,which is extremely striking in the poems: Praise of Nightingale and Praise of Forlornness.In the two poems mentioned above,Keats,opposite to his usual peaceful and quiet state,presents the readers his quick and crazy aspect with strong emotion. |
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| Keywords: | Praise of Nightingale romanticism Watzwals forlornness craziness |
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