“同自然之妙有”佛学渊源辨

孙过庭在《书谱序》中提出的"同自然之妙有"这一中国书法理论重要命题,常被学者理解为书法家的书法作品应该达到奇妙同于自然的境界或简单地比拟为隐与秀的融会贯通。其实,这并不符合此命题的内在义理。孙氏"同自然之妙有"是在佛学影响下产生的一个书学理论命题,它要求书法作品超越现象界中的分别、机心而达到直指本源的真空妙有境界,即空灵境界,其理论内核应为佛学。

On the Buddhism Source of Identification of the Miaoyou of Nature with Handwriting

SUN Guo-ting put forward in Preface for Shupu that handwriting should be identified with the Miaoyou of nature,which is an important statement of Chinese handwriting.But it used to be understood as handwriting ought to be diversiform like nature or as integration of Yin and Xiu.In fact,they do not express the real and deep meaning of this statement.I think that the creation of this statement is based on Buddhism and the core of its concept is also Buddhism.