论文学本体的生命有机性

文学的生命本体是文学存在的物化形式，还是物化外壳下别有孕育的生命？中西文学理论对这一问题的追问莫衷一是。文学的物化形式可谓之诗语言，在前文学“婴儿期”以静默方式蕴蓄诗的潜能及其有机性，若无诗的“发声”，文学终归无所凭依。然而诗语言又并非文学的生命归依。自从诗诞生以来，形象、情感、事件、图像、身体等纷纷登场，借助语言而存在却又顽强地排斥语言的在场感，其极限化的表征就是数字化时代的文学已经很少或不再对语言精雕细琢，那么决定文学生命根基的本体究竟是什么，便成为文学本质最核心的问题。文学的本体显现为诗语言呈现的完整生命序列，诗语言呈现的前与后承载着诗的在场与退场的奥秘，其生命本体伴随着诗语言的呈现产生内在的变异。言、意、象、像诸变因的在场比重与文学构成的逻辑相位呈反比态势，从而数字化时代的文学可以实现披一而挂万，巧妙将文学的后续生命成因导入宽幅的生命场域，改写文学传统的诗语承载方式为更切近客体的诗语激发，诗语言的完整生命也由外在物化表征的逐渐衰减转换为主体的受孕性变异与更新。

On the Organic Life of Literary Ontology

Chinese and western literary theories have different opinions on the issue whether the life ontology of literature is the materialized form of literary existence or it is another life born under the materialized shell.The materialized form of literature can be described as the poetic language.In the pre-literary "infant period",the potential and the organic nature of poetry are implicitly collected.Without the "voice" of poetry,literature has nothing to rely upon.However,the poetic language is not the life of literature.Since the birth of the poem,images,emotions,events,pictures,bodies,etc.have appeared one after another with the help of language but tenaciously rejected the presence of language.The extremity is characterized by the fact that literature at the age of digitization has given little care to language,so what determines the foundation of literary life becomes the core issue of literature.This paper proposes that the ontology of literature appears as a complete sequence of life presented in poetic language.Before and after the poetic language presents the mystery of the presence and absence of poetry,and the life itself undergoes inherent variation along with the presentation of poetic language.The presence of words,ideas,divinations,images and the like vary inversely with the logical phase of the composition of literature,so that the literature in the digital age can ingeniously introduce the subsequent genesis of literature into a wide field of life,changing the way of poetic language bearing in traditional literature to stimulate the object.In this way,the complete life of the poetic language is also transformed from the gradual attenuation of the external materialized representation to the subject's congenial mutation and renewal.