论嵇康的和声观

嵇康的和声观是《声无哀乐论》的核心。他从审美客体、主体及乐音本身来探讨和声问题，指出音乐的本质是“和”，它源自“自然之和”，人们在“自然之和”的基础上，运用“和比”的音乐手法创造了乐音和谐的组合规律，满足了人们的生理和心理需求。音乐的根本在于具有平和人心的功能，音声的和谐在于音乐和人之间的相互愉悦。和谐音乐的最高境界是美善合一的“至和”与“太和”境界。

On Ji Kang's Harmony Ideology

Ji Kang＇s harmony ideology is not only the core concept of his article ＂No Sadness in Music＂, but also the model context in ancient Chinese theory of musical aesthetics. Exploring harmony issue from aesthetic object, subject and music itself, he indicated that the essence of music was its harmony derived from natural cosmos which referred to the natural properties of music. In Ji Kang＇s opinion, people created a harmonious combination of sounds, which aehieved an emotional outlet to meet people＇s physical and psychological needs. He denoted that the root function of nlusie was to make people＇s heart serene, and the highest state of harmonious music is the unity of goodness and beauty.