篇章风格新辨

篇章是建立在二元（阴柔、阳刚）互动之基础上，以呈现其“多、二、一（0）”结构的；而其风格之形成，便与这种由二元（阴柔、阳刚）互动所组织而成之“多、二、一（0）”结构与其“移位”、“转位”、“调和”、“对比”．息息相关。本文即以唐诗、宋词各一首为例，用这种由二元（阴柔、阳刚）互动所组织成之的篇章结构与其“移位”（顺、逆）、“转位”（抝）、“调和”、“对比”为依据。对整体结构之阳刚与阴柔之“势”。探讨其多寡与比例，并将这种模式探索之结果对应于传统直观表现之结晶作进一步的观察。结果发现：在审辨作品之篇章风格时。除必须参考“直观表现”之成果外。又尝试拓展有理可说的“模式探索”空间，将有助于审辨质量之提高。因此，这种对篇章风格辨析之新尝试而言。是谈有参考价值的。

A New Study on Literary Styles

Taking the Tang Poetry and Song Lyrics as examples, and based on the discourse structures conslsting of hi-elements, femininity and masculinity, and the ＂shifting （forwards and backwards）＂, ＂transferring＂, ＂modification＂ and ＂contrasting＂ of discourse structures, this paper is to quantify the proportionate frequency between femininity and masculinity used in the whole structure of a literature work. And further by comparing the results of such a study model with that of the traditional intuitive presenting, it reveals that it would be helpful to enhance the identification of literary styles when not only referring to the results of intuitive presentations, but also expediting models of the rational.