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孙悟空与撒旦的形象及其文化意蕴之比较
引用本文:樊庆彦. 孙悟空与撒旦的形象及其文化意蕴之比较[J]. 太原理工大学学报(社会科学版), 2006, 24(4): 69-72
作者姓名:樊庆彦
作者单位:山东大学,文学院,山东,济南,250100
摘    要:《西游记》中的孙悟空和《失乐园》中的撒旦均是反抗封建主流社会的叛逆者形象,在一定程度上有其相同处,但由于两者产生的时间与文化背景不同,在反叛的目的、手段、结局等方面存有差异,因而属于不同的类型形象,从而昭示着中西社会、文化及民族心理等层面的显著不同。

关 键 词:孙悟空  撒旦  形象比较  文化意蕴
文章编号:1009-5837(2006)04-0069-04
修稿时间:2006-06-06

Comparing with the Images of Sun Wukong and Satan and Their Culture Connotations
FAN Qing-yan. Comparing with the Images of Sun Wukong and Satan and Their Culture Connotations[J]. Journal of Taiyuan University of Technology(Social Sciences Edition), 2006, 24(4): 69-72
Authors:FAN Qing-yan
Abstract:Sun Wukong in the journey to the West and Satan in losing the paradise are all the images of rebel who resisting the feudal mainstream society,there are the same places of them to a certain extent,but because of the different producing time and culture background of them,there are differences in such aspects as purpose,means and final result to revolt,therefore they belong to different type images,thus declare publicly aspects such as the Chinese and Western society,cultural and national psychology,etc.are prominent and different.
Keywords:Sun Wukong  Satan  images compared  culture connotation  
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