| 论海明威小说的美学创造 |
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| 引用本文： | 朱振武. 论海明威小说的美学创造[J]. 上海大学学报(社会科学版), 2001, 8(4): 5-10 |
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| 作者姓名： | 朱振武 |
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| 作者单位： | 上海大学 外语学院英语系，上海 200436 |
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| 摘 要： | 海明威在长期的小说创作实践中，使用了含蓄、隐身和简约三种手法，创建了不同于任何一个现代主义流派的小说理论，从而在理论和实践上均达到了现代小说美学的高峰。
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| 关 键 词： | 小说美学 创作手法 艺术个性 |
| 文章编号： | 1007-6522(2001)04-0005-06 |
| 修稿时间： | 2001-02-27 |
On the Creativity of Aesthetics of Hemingway''''s Novels |
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| ZHU Zhen wu. On the Creativity of Aesthetics of Hemingway''''s Novels[J]. Journal of Shanghai University(Social Science Edition), 2001, 8(4): 5-10 |
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| Authors: | ZHU Zhen wu |
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| Abstract: | In his long term fictional creation Hemingway employed mainly the ways of implicity, retirement and conciseness, three methods through which he founded his own theory deferent from any schools of modernism and thus reached the peak of modern fiction creating both in theory and practice. |
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| Keywords: | Fictional Aesthetics Methods of Creation Artistic Character |
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