| 清代戏曲家周昂的戏曲语言“本色”观 |
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| 引用本文： | 孟宪华. 清代戏曲家周昂的戏曲语言“本色”观[J]. 淮海工学院学报(社会科学版), 2011, 9(1): 46-48. DOI: 10.3969/j.issn.1008-3499.2011.01.014 |
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| 作者姓名： | 孟宪华 |
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| 作者单位： | 南京特殊教育职业技术学院,公共管理系,江苏,南京,210038 |
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| 摘 要： | 清代中期常熟戏曲家周昂在戏曲评论中,对戏曲理论的总结归纳既继承了前人的优秀成果,又有自己独特的见解。他将“本色”视为戏曲语言的最高追求,从戏曲语言的个性化、口语化两个方面阐述了戏曲语言的“本色”观,是对明清以来戏曲语言“本色”观的深化和拓展。
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| 关 键 词： | 周昂 戏曲 戏曲语言 评点 “本色”观 |
Qing Playwright Zhou Ang's View on the True Color of Opera Language |
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| MENG Xian-hua. Qing Playwright Zhou Ang's View on the True Color of Opera Language[J]. Journal of Huaihai Institute of Technology, 2011, 9(1): 46-48. DOI: 10.3969/j.issn.1008-3499.2011.01.014 |
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| Authors: | MENG Xian-hua |
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| Affiliation: | MENG Xian-hua(Dept.of Public Management,Nanjing Special Education Institute of Technology,Nanjing 210038,China) |
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| Abstract: | Zhou Ang is a famous playwright in the mid Qing Dynasty in Changshu. His summary on opera theories inherits the forerunners＂ achievements with his own ideas. According to him, the ＂true color＂ of lang~aage is the highest requirement of opera language, and he expounds on his views from individuality and colloquial language. His ideas can be regarded as a deepening and development of the ＂true color＂ opera language theory since the Ming and Qing Dynasties. |
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| Keywords: | Zhou Ang opera opera language review ＂true color＂ theory |
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