浅谈《西游记》中女性形象的反传统性

在中西方的文学研究中，性别和传统都是必不可少的主题和关键词。中国古典四大名著之一的《西游记》尽管是一部美仑美奂的神魔小说，却能直接折射出人间百态，充分反映吴承恩的人生经验和社会感触。在西游记中，吴承恩别有深意地塑造了众多栩栩如生的女性形象，尤其是这些形形色色的女性形象所彰显的鲜明的反传统意蕴和审美意义，代表了时代进步，对女性反传统、求解放的历程产生了相当的积极意义。

Women Figures in A Journey to the West: An Anti-tradition Perspective

Gender and tradition are two key issues or focuses in the literary studies both in China and in the West. A Journey to the West, one of the four ancient Chinese classical works that is often regarded as a magical work of gods and goblins, can directly reflect the panorama of human life as well as the novelist Wu Cheng~en＇s life experience and ponderings on society. The vivid women figures produced by the novelist, who obviously run against traditional women images, embody the social progress at Wu＇s time. Such a progress has greatly enhanced women＇s liberation and their fight against tradition.