| “以美通善”与“美善合一”——康德与牟宗三审美地位说比较 |
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| 引用本文： | 张海燕,罗璠.“以美通善”与“美善合一”——康德与牟宗三审美地位说比较[J].西北大学学报(哲学社会科学版),2011,41(2):95-98. |
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| 作者姓名： | 张海燕 罗璠 |
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| 作者单位： | 长沙理工大学,文法学院,湖南,长沙,410004 |
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| 基金项目： | 湖南省社会科学基金项目 |
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| 摘 要： | 康德与牟宗三的美学思想都具有明显的道德意识,但康德道德论的核心概念"自由意志"带有显著的公设性,使得美不必依附于善而成为沟通自然与自由二界的桥梁,随着美的"独立性"在三大批判中的凸显和强调,美最终被定位为"以美通善"的媒介。牟宗三道德形而上学的核心概念"良知"是"体用不二"的本体,有着显著的呈现性,美也被纳入到"道德良知"的世界中而丧失了独立性,美在道德光辉的映衬下最终呈现为"美善合一"的样态。
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| 关 键 词： | 自由意志 道德良知 心理是一 体用不二 |
"Good by Beauty"or"Unification of Beauty and Good":A Comparison of Aesthetic Status in Kant's and Mou Zong-san's Theory |
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| ZHANG Hai-yan,LUO Pan."Good by Beauty"or"Unification of Beauty and Good":A Comparison of Aesthetic Status in Kant's and Mou Zong-san's Theory[J].Journal of Northwest University(Philosophy and Social Sciences Edition),2011,41(2):95-98. |
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| Authors: | ZHANG Hai-yan LUO Pan |
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| Institution: | ZHANG Hai-yan,LUO Pan(Institute of Art and Law,Changsha University of Science & Techonology,Changsha 410004,China) |
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| Abstract: | Both Kant's and Mou Zong-san's aesthetics have its own moral idea.The central concept of Kant's theory(free will) is only a postulate by which beauty connects nature and freedom and can be free of the dependency of good.Kant's great works Three Critics reveal and emphasize on the independency of beauty,which regard beauty as the intermedium of Beauty by Good.But the central concept of Mou Zong-san's moral metaphysics(goodness) is the noumenon of Unification of Noumenon and Function.Beauty is brought into th... |
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| Keywords: | free will goodness oneness of mind and logos unification of nomenon and function |
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