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《尚书》与中国古代设计艺术思想
引用本文:郑丽虹. 《尚书》与中国古代设计艺术思想[J]. 齐鲁学刊, 2004, 0(5): 37-39
作者姓名:郑丽虹
作者单位:济南大学,艺术学院,山东,济南,215005
摘    要:先秦儒家典籍《尚书》蕴涵了丰富的设计艺术思想,一方面,它体现了从"以神为本"的设计理念向"人本"思想的过渡,另一方面,以阴阳、五行、四方为基本要素,整体有序,天地人和谐统一的设计观也开始成熟,成为其后古代中国设计艺术思想的主流。

关 键 词:《尚书》  设计艺术  人本思想
文章编号:1001-022X(2004)05-0037-03
修稿时间:2004-01-09

Interpret The Conceptions of Art Design From Shangshu
Zheng Li-hong. Interpret The Conceptions of Art Design From Shangshu[J]. Qilu Journal, 2004, 0(5): 37-39
Authors:Zheng Li-hong
Abstract:Shangshu is a too early document considering important papers and political dissertation of governmen. Which contained plentiful ideas of art design in pre-Qin dynasties. As followed: On one hand, the conception of design was changing from the Divinity standard to Huminism;On the other hand, the idea of design that the world in where human lived harmoniously with heaven constituted by YinYang Wuxing and four sides began to mature, which became the domamate idea of ancient Chinese art designing.
Keywords:Shangshu  art design  humanism  
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