异化、审美及异化背景下的审美拯救

异化与审美之间存在一种二律悖反的关系,二者在本质上是相反相斥的,但在客观现实中又是可以统一的。审美,作为一种体验,是人在心理上超越了异化的存在状态;作为一种实践,是人类在精神领域反抗异化的主要方式。若没有审美对身处奴役中的人所实施的拯救,异化世界中的人若失去了自由体验的滋养,异化的现实中若没有审美的发生,人类将在存在的虚无和恐惧中、在对自我拯救的绝望中趋于疯狂和荒蛮。诗人作为审美创造的主要参与者,在反抗异化的历史征程中,必须坚守自己作为自由与诗意的捍卫者与守望者的身份。

Alienation,Aesthetic and Aesthetic Salvation in the Alienative Background

There is a antinomic relation between alienation and aesthetic.In essence,the both are mutually exclusive,but they also can be unified in external praxis.Aesthetic,as a experience,it is a existent estate that surmounted the alienation n;as a manner of practice,it is a primary manner that people used to revolt the alienation.If there is no salvation the aesthetic actualized to the people who suffered bondage,if there is no occurrence of aesthetic in the alienative praxis,human will live in nihility and dread that created by being itself and desperation,and the human will throw up their hands for their own salvation.Finally,human will approach folie and absurdity.Poet as a primary actor for aesthetic creation,they must hold their role as a protector for liberty and poetry.