| 元杂剧中团圆结构的文化意蕴 |
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| 引用本文： | 陈清锋,丁白玉. 元杂剧中团圆结构的文化意蕴[J]. 河北理工大学学报(社会科学版), 2011, 11(6) |
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| 作者姓名： | 陈清锋 丁白玉 |
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| 作者单位： | 湘潭大学文学与新闻学院,湖南湘潭,411105 |
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| 摘 要： | 元代众多的杂剧作品中,无论其作品反应的内容如何,情节如何的曲折,大多都以团圆的结局收场。形形色色的团圆结局形成了元杂剧中亦悲亦喜、悲喜交融、苦尽甘来的特有的构戏方式。这种文学现象的形成和那个特定环境时代不但有着千丝万缕的联系,而且在一定程度上也映射出我国传统民族文化的蕴涵。
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| 关 键 词： | 元杂剧 团圆结构 民族文化 |
On the Cultural Implications of Reunion Structure in Yuan-Dynasty Dramas |
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| Abstract: | Many dramas of Yuan Dynasty,no matter what contents they reflect,no matter how their plots twists and turns,end with happy endings.All kinds of happy endings form a unique configuration of Yuan dramas characterized by a feeling of tragicomedy and sweet after sweat.The formation of this literary phenomenon is not only inextricably linked to the particular environment but also maps out the implication of our traditional culture. |
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| Keywords: | Yuan dramas Reunion Structure national culture |
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