| 魏晋书法摭谈 |
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| 引用本文： | 张永红. 魏晋书法摭谈[J]. 宝鸡文理学院学报(社会科学版), 2007, 27(4): 74-76 |
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| 作者姓名： | 张永红 |
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| 作者单位： | 宝鸡文理学院,美术系,陕西,宝鸡,721013 |
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| 摘 要： | 讲求符号、结构、线条艺术的书法艺术,发展到魏晋时代,已跳出了"饰文字以观美"的萌芽更新阶段,使眼底观照的对象和心中契悟的真意流露于笔端,书法家的心迹、神识得到了本质的显扬.在中国书法艺术和书法美学的历史上,这是一个具有里程碑意义的辉煌阶段.
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| 关 键 词： | 观照对象 价值取向 性情意趣 |
| 文章编号： | 1008-4193（2007）04-0074-03 |
| 修稿时间： | 2007-04-15 |
On Calligraphy in Wei and Jin Dynasties |
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| ZHANG Yong-hong. On Calligraphy in Wei and Jin Dynasties[J]. Journal of Baoji College of Arts and Science(Social Science Edition), 2007, 27(4): 74-76 |
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| Authors: | ZHANG Yong-hong |
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| Affiliation: | The Dept.of Fine Arts.Baoji University of Arts and Science,Baoji,Shaanxi 721013 |
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| Abstract: | The calligraphy stressing the formal beauty of the arts of sign structure and line has come out of the rudimentary renewal stage of "Modify the character to Appreciate Its Beauty".Thus,the object observed in sight and the essence under stand by heart can be expressed by handwriting.The true feelings and vision of calligrapher are truthfully shined upon and essentially acclaimed.Therefore,the calligraphy in Wei and Jin dynasties is milestone splendid stage in the history of the calligraphy arts and calligraphy aesthetics. |
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| Keywords: | observed object orientation of value temperament and taste |
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