| 论西方悲剧精神内在延宕的审美特征 |
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| 引用本文： | 马小朝. 论西方悲剧精神内在延宕的审美特征[J]. 新疆大学学报(社会科学版), 2007, 35(1): 122-125 |
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| 作者姓名： | 马小朝 |
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| 作者单位： | 烟台大学中文系 山东烟台264005 |
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| 摘 要： | 西方悲剧精神的审美特征之一显现为内在延宕。内在延宕在古希腊神话中表现得朦胧隐晦且具有象征意味。内在延宕在后来成熟的文学作品中逐步表现得清晰明朗且具有心灵矛盾意味。具体情况大致表现为两种类型:一是直接的心灵矛盾构成悲剧剧情运行主流;一是间接的心灵无所皈依构成悲剧剧情运行主流。
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| 关 键 词： | 内在延宕 朦胧象征 心灵矛盾 直接 间接 |
| 文章编号： | 1000-2820(2007)01-0122-04 |
| 修稿时间： | 2006-08-25 |
On the Inner Delay as Aesthetical Characteristics of the Tragic Spirit in the Western Literature |
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| MA Xiao-chao. On the Inner Delay as Aesthetical Characteristics of the Tragic Spirit in the Western Literature[J]. Journal of Xinjiang University, 2007, 35(1): 122-125 |
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| Authors: | MA Xiao-chao |
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| Abstract: | The one of Aesthetical Characteristics of the Tragic Spirit in the Western Literature was the inner delay.It was mainly shown obscurity with the symbolic meaning in the ancient Greek myth and grown clearing with the meaning of inner conflicts in the mature literary works.The inner conflicts were shown in two specific type: one was the inner conflict directly composed the main trend of the tragic plot,other was heart being at loss indirectly composed it. |
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| Keywords: | inner delay obscurity with the symbolic meaning clearing with the meaning of inner conflicts directly indirectly |
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