殷墟器皿装饰纹样的构成分析

从殷墟出土的器皿中发现，殷王朝人们已经掌握了日用器皿装饰的纹样构成并成功运用了平衡、均齐、协调与节奏的构成法则，创造出了绳纹、云雷纹、夔纹、蟠龙纹、三角纹、焦叶纹、斜云雷乳丁纹、饕餮纹等纹饰样式，依势器皿的造型状态，构成二方或四方连续纹样，装饰在器皿的不同位置。形象概括、简洁、乖巧，有一种朴素的美感，不少青铜器纹饰，层次分明，有单层和多层组合，视觉感极强，表现的素材内容是神话动物，饰于器皿的显著位置，借以玄耀王权尊严和宗族图腾的神圣。

On the grain formation of Yin Ruins container ounament

It is foun in the containers unearthed from the Yin Ruins that as early as Yin Dynasty of 3600 years ago,people had mastered the grain f ormation of the daily containers and made use of the formation principles of bal ance,equal cuttiong,harmony and rhythm,creating many grain forms such as ropegra in,Kui-dragon design,palong(coiling dragon)grain,triangle grain,tao-ticpattern,a nd so on These grains were decoratde in different parts of the containers accord ing to the containers'shapes.The images wene generalized,succinctand lovely and had a simple buauty.Quite a number of bronze wares bad well-arranged becoratoin grains in unity and coherence and combination of scnale layer and multi-;auers a nd had very strong visual sense.Wat these images had expressed were animals in f airy tales,decorated in remarkable places of the containers to show lff the ding ity of the royal power and the sacredness of the tribe totem.