明修栈道 暗渡陈仓——从《百年孤独》的人物主体性看马尔克斯的叙述策略

《百年孤独》是魔幻现实主义的代表作 ,但一部产生于边缘社会的文学作品如何能让处于中心地带的西方社会接受自己 ,从而达到自己的政治目的 ,并产生如此大的反响 ,这就要求有一定的叙述策略。从《百年孤独》中人物的主体性方面对这一问题进行阐述 ,重点不在于已成定论的马尔克斯的叙述目的 ,而在于其人物主体方面的具体叙述策略。

To Feign Action in One Place and Make the Real Move in Another --On Gabriel G. Marquez's Narrative Strategy Concerning Subjectivity of the Characters in His One Hundred Years of Solitude

The novel One Hundred Years of Solitude is a masterpiece of mystic realism. A proper narrative strategy is required to make such a literary work as a product of the edge of society be accepted by the world centred western society and have a deep impact on the political world. It is the concrete narrative strategy rather than the well accepted Marquez's narrative purpose that is the focal point of the depiction of the characters' subjectivity in One Hundred years of Solitude.