境界三章

“境界说”美学总是与王国维的名字联系在一起的。说一部作品有“境界”或者无“境界” ,这究竟意指什么呢 ,其内容又含盖着那些相互关联着的方面呢 ?笔者读《人间词话》 ,以为关乎这些问题的解答只应从作者所论作品境界之生成上去寻找。行者连骨带筋检点王氏“词话”章句 ,梳理所得 ,在此表为三个较大的方面或线索 :审美之“真”是境界生成的力点和轴心 ;“自然”“不隔”偏重艺术创作 ,言作品审美境界之如何呈现 ;而“工”与“不工” ,则是消费者对艺术作品的欣赏与体认 ,经过这番体认 ,最终完成对作品境界之有无、深浅与高低的审美认定。

Three Aspects of the Aesthetic Realm

The doctrine of the aesthetic realm has been attributed to Wang Guowei. What is meant by "the aesthetic realm"? What are the relevant aspects of the doctrine? After reading the work Notes and Comments on Ci, I hold that the answer to the above questions lies in the author's comments on the subject. Wang Guowei defines the aesthetic realm as consisting of the following three aspects: the true as the base of the realm, the natural as unaffected method to present the realm, and the "gong" as the reader's appreciation of the works. The aesthetic judgment of a work in terms of "the aesthetic realm" is based on these three aspects.