| 从莎士比亚悲剧《麦克白》到越剧《马龙将军》的华丽转身 |
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| 引用本文： | 李伟民. 从莎士比亚悲剧《麦克白》到越剧《马龙将军》的华丽转身[J]. 东南大学学报(哲学社会科学版), 2010, 12(2) |
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| 作者姓名： | 李伟民 |
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| 作者单位： | 四川外语学院,莎士比亚研究所,重庆,400031 |
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| 摘 要： | 越剧莎士比亚《马龙将军》实现了越剧与莎剧之间的互文性。这种互文性和改写表现在莎剧《麦克白》的人文主义精神的主题在得到表现的基础上,实现了形式的替换与重构。从而将现代意识灌注于越剧《马龙将军》之中,在"情与理"戏剧观念的转换与音舞对叙事的改写中,形成了内容与形式、演出方式、戏剧观念等新的对话与互文性关系。
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| 关 键 词： | 莎士比亚 越剧《马龙将军》 莎剧《麦克白》 对话 互文性 |
From Shakespeare s Macbeth to Shaoxing opera General Malong |
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| LI Wei-min. From Shakespeare s Macbeth to Shaoxing opera General Malong[J]. Journal of Southeast University(Philosophy and Social Science ), 2010, 12(2) |
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| Authors: | LI Wei-min |
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| Abstract: | The Shaoxing opera General Malong is a good inter-textual example of Shakespeare's Macbeth.Besides reproducing the humanist theme of Shakespeare's play,it is successful in establishing its own structure so as to plant modern consciousness into this opera.In the transformation between the dramatic notions of reason and emotion,and the transformation between dancing with music and dialogue expression,a new dialogic and inter-textual relationship is established in form and content,way of performance and notion... |
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