| 论刘克庄的诗歌"锻炼"说 |
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| 引用本文： | 明见.论刘克庄的诗歌"锻炼"说[J].西南大学学报(社会科学版),2002,28(3). |
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| 作者姓名： | 明见 |
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| 作者单位： | 河北大学中文系 河北保定071002 |
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| 摘 要： | 刘克庄认为 ,中国漫长的诗歌发展 ,尤其是到宋代 ,在锻炼上存在两个极端 ,要么不讲锻炼而粗糙 ,要么锻炼过度而刻削。为救此弊 ,他建立了系统的锻炼说体系 :既锻炼精工 ,又精练而不雕琢 ,从而达到精工与自然的统一。这构成了中国诗学史上最完备、应用性最强的锻炼说体系 ,具有集大成的意义。
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| 关 键 词： | 刘克庄 诗歌“锻炼”说 宋代 |
On Liu Kezhuang's Thought of Chinese Poetry-tempering |
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| MING Jian.On Liu Kezhuang's Thought of Chinese Poetry-tempering[J].Journal of Southwest University(Humanities and Social Sciences Edition),2002,28(3). |
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| Authors: | MING Jian |
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| Abstract: | Liu Kezhuang thought that during long Chinese Poetry\|tempering history, some poetries were written in a coarse style, but the others in an ornate style. In order to correct these mistakes, he maintained that poetry\|writting should be not only concise but also natural. Liu constructed the most perfect poetics about tempering. |
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| Keywords: | Liu Kezhuang Chinese Poetry\|tempering the Song Dynasty |
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