中国历史上的陶渊明绘事

陶渊明的《桃花源记》首先在唐代入画。其画表现的是仙人的生活,风格以“魁奇”出俗为主,与宋代的淡远风格不同。历史上第一位有功于陶渊明的大画家是北宋的李公麟,第二位是元代赵孟頫,他对李公麟画法有继承也有开拓。宋元人请陶入画与他们崇敬陶渊明的态度密切相关。明清两代与陶渊明相关的画很多,陈洪绶的陶渊明画是很有特色的一家。历史上的陶渊明绘事留给我们的启示意义是多方面的:如它表明陶渊明及其作品对中国文化和艺术产生了深远的影响;诗和画是相通的,而中国的诗和画之间的关系又有其特殊性;应该注重以优秀作家作品为中心的深入研究等。

Tao Yuanming''''s world as reflected in art

The settings of Tao Yuanming’s essay “The Story of Peach Blossom Spring” were depicted during the Tang dynasty for the first time. Reflected in the picture is the life of celestial beings characterized by a high style of life, which was different from the simple and detached character of Song dynasty art. The first great artist who deserved well of Tao Yuanming was Li Gonglin of the Song dynasty, and the second one was Zhao Mengfu of the Yuan dynasty, whose artistic character was again different from that of Song. There were many painters during both the Ming and Qing dynasties, of which , Chen Hongshou was one of the most famous and characteristic. We can get much inspiration from the artistic works in history, for example, we can see to what extent Tao Yuanming and his writings had influenced Chinese culture and arts; that poetry and painting open onto each other while the two have their own characters; and that we should confirm a deepened study of great writers and their works, etc.