论中国文学中竹意象的演变

秦汉之前文学中的竹意象还不具有独立的地位，魏晋南北朝竹被纳入了文人审美的范畴，这一时期的文人或写竹之概貌，或赞竹之耐寒与坚贞，或于竹中寄托风流放达、隐逸、思乡之情，竹意象由此形成。唐宋文人或对竹细致刻画，或颂扬竹之虚心、孤标，或将个人经历、情感、志向、信仰等投射于竹，竹意象实现了其人格化与个性化的进程，中国文学中的竹意象成熟了。

On the Evolution of theImage of Bamboo in Chinese Literature

Before Qin and Han dynasties, the image of bamboo had not contained any independent position. During the periods of Wei, Jin and the South and North dynasties, the image of bamboo was accepted to be an aesthetic vision. The literators of this period would either write about bamboo＇s general pictures, or praise bamboo＇s cold-resistance and chastity, or project their romance, capacity, seclusion, and home-sick feelings into bamboo. Thereafter, the image of bamboo was established. The men of letters in Tang and Song dynasties would either described bamboo delicately, or celebrate bamboo＇s modesty and aloofness, or cast one~ s own experience, emotion, ambition and belief into bamboo. Therefore, the image of bamboo completed its processes of personification and personality. And the image of bamboo in Chinese literature was maturely established.