| 二人转:狂欢之后--对东北二人转的阐释和反思 |
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| 引用本文： | 李家君.二人转:狂欢之后--对东北二人转的阐释和反思[J].渤海大学学报(哲学社会科学版),2006,28(2):75-77. |
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| 作者姓名： | 李家君 |
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| 作者单位： | 广西师范学院,文传院,广西,南宁,530001 |
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| 摘 要： | 近三四年来,东北二人转走出东北,火爆全国。其巨大的魔力,不仅摄服俗文化的普通受众,也对文化精英甚至专家产生审美效应。本文试用狂欢理论和接受美学对其阐释,用游戏理论和高峰体验等理论进行反思。
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| 关 键 词： | 二人转 狂欢理论 接受美学 反思 |
| 文章编号： | 1672-8254(2006)02-0075-03 |
| 修稿时间： | 2005年12月15 |
Northeastern China's Er- ren- zhuan carnicval--Analysis of and reflection on Er- Ren- zhuan |
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| LI Jia-jun.Northeastern China''''s Er- ren- zhuan carnicval--Analysis of and reflection on Er- Ren- zhuan[J].Journal of Bohai University:Philosophy and Social Science Edition,2006,28(2):75-77. |
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| Authors: | LI Jia-jun |
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| Abstract: | For the recent 3 to 4 years,Northeastern China's Er-ren-zhuan(a kind of traditional Chinese opera performed by two actors which is popular in Northeastern China)gained much popularity all around China.It is widely accepted for its magic power and fascination,and it is also studied by some experts for its aesthetic values.Some novel theories like carnival theory and acceptance aesthetics are appilied to analyze it and to reflect on it. |
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| Keywords: | Er-ren-zhuan carnival theory acceptance aesthetics reflection |
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