| 艺术对神话的审美化改造 |
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| 引用本文： | 王蓓.艺术对神话的审美化改造[J].山东师范大学学报(人文社会科学版),2006,51(3):117-120. |
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| 作者姓名： | 王蓓 |
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| 作者单位： | 山东师范大学,文学院,山东,济南,250014 |
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| 摘 要： | 神话是早期人类对世界进行精神把握的方式,处在人类文化起源的位置上。人类艺术从神话中汲取了许多有益的成分,同时又对神话元素进行了非常充分的审美化改造。当人类逐渐放弃了用神话来表达对世界的认识的时候,神话在人类艺术中继续以各种审美形态出现并因此得以在人类文化长河中保持着鲜活的生命力。正是在艺术当中,神话里被魔法化的想象摆脱了实用性从而获得了尽情施展的自由,而神话形象在转变为艺术形象的同时其浓重的神秘色彩被大大削弱,从而更加有血有肉。
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| 关 键 词： | 艺术 神话 想象 形象 |
| 文章编号： | 1001-5973(2006)03-0117-04 |
| 修稿时间： | 2005年12月13 |
The Aesthetic Transformation of Mythology Made by Arts |
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| Wang Bei.The Aesthetic Transformation of Mythology Made by Arts[J].Journal of Shandong Teachers' University(Social Science Edition),2006,51(3):117-120. |
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| Authors: | Wang Bei |
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| Abstract: | Mythology is the mode by which humankind interpret the world spiritually in the early stages,and it is the origin of the human culture.Human arts have absorbed a great number of beneficial elements from mythology,and,at the same time,it has hugely transformed mythology in terms of aesthetic contemplation.When man has given up the way of expressing his understanding of the world by means of mythology,it continues to exist in various aesthetic forms in human arts,thus keeping its vitality in the whole process of cultural development.It is in arts that its magical and fantastic imagination obtains true freedom by getting rid of its practicality,and mythological images lose their tint of mythology while they are turned into artistic ones so that they become more vivid. |
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| Keywords: | arts mythology imagination image |
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