| 山水画风格变异的"南宋四大家" |
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| 引用本文： | 王恪松. 山水画风格变异的"南宋四大家"[J]. 河南教育学院学报(哲学社会科学版), 2002, 21(2): 109-112 |
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| 作者姓名： | 王恪松 |
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| 作者单位： | 河南教育学院,艺术系,河南,郑州,450003 |
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| 摘 要： | 宋室被迫南渡,半壁江山易主,历史的巨变,带来了山水画风格的变异。以李唐为首的“南宋四大家”,以刚劲的大斧劈皴,寥寥一角、隐隐半边的构图,给人意味深长,境界完整的艺术感受,实为开创了中国山水画史上的新局面。
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| 关 键 词： | 李唐 刘松年 马远 夏圭 风格变异 |
| 文章编号： | 1006-2920(2002)02-0109-04 |
| 修稿时间： | 2001-10-29 |
The Various Styles of the Four Masters of Landscape Painting in South Song Dynasty |
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| WANG Ke-song. The Various Styles of the Four Masters of Landscape Painting in South Song Dynasty[J]. Journal of Henan Education Institute(Philosophy and Social Science Edition), 2002, 21(2): 109-112 |
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| Authors: | WANG Ke-song |
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| Abstract: | Half of the state power of the Song Dynasty was subjugated and the royal family was compelled to more southwards . Drastic historical changes gare birth to stylistic variation of landscape painting. With Li Tang as the chief representative , the " Four Great Artists of the South Song Dynasty", conveying a deep artistic impression of unlimited interest and magnificent conception through their bold hachet - choppingtexture strokes and indistinct composition, ushered in a newepoch in the history of Chinese landscape painting. |
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| Keywords: | Li Tang liu Song- nian Ma Yuan Xia Gui stylistic variation |
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