山寨文化：抵抗与揶揄

作为亚文化类型的山寨文化，既具有一般意义上亚文化的风格特征：抵抗，在器物层面、文化理念层面、文化产业层面，山寨文化向主流文化叫板，以图建立自己的认同；也具有由我们这个特定国情多种因素决定的风格意义：揶揄，它是传媒策划者和社会小资本所有者的社会小众诉求着快感满足和平民化，借助于破坏既有符码和表达新符码的方法，创造特别意义，揶揄着主流文化的惰性和刻板，宣告着草根阶层的生存方式，同时，由于利益动力，加快山寨文化成型化，使之及时地表达了草根阶层对社会现实的文化诉求。然而，无论山寨文化如何风光，都必然逃脱不了亚文化的宿命：缴械与收编。

The Symbolic Meaning of Nanzhao Music to the Emperor and Its Cultural Interpretation

Attention is expected to be focused on the prevalent imitation subculture. It is imperative to provide proper guidance on the imitation subculture while to improve the mainstream culture in the heterogeneous eco- system of culture. The imitation subculture is striving for its identity against the mainstream culture in the domains of materials, ideologies and cultural products, possibly characterized by the customs of China. Meanwhile, it is demonstrating the way of living by the grassroots while ridiculing the inactiveness and rigidness of the mainstream culture, creating special meaning with entrepreneurship via breaking the established codes to build new ones. Further, it is the appeals of the media designers and petty property owners to pleasure satisfaction and mass orientation. Prorooted by interests, village culture has become mature and has timely expressed the cultural demands of the grassroors for social reality. Still, it is certainly destined and will end up being integrated into the mainstream waves.