| 论电影《黑炮事件》的画面造型与模糊表演 |
| |
| 引用本文： | 厉震林.论电影《黑炮事件》的画面造型与模糊表演[J].唐都学刊,2011,27(2):92-97. |
| |
| 作者姓名： | 厉震林 |
| |
| 作者单位： | 上海戏剧学院戏剧文学系,上海,200040 |
| |
| 摘 要： | 在＂第五代＂电影的影像美学体系中,黄建新的《黑炮事件》显示出了自己的＂另类＂。色彩的运用以及蒙太奇使不同的色彩序列组接产生了蒙太奇的意义。在构图方法上有独特的个性,可以称之为＂新构成绘画＂。在表演处理上,《黑炮事件》在国内首次提出了完整的＂模糊表演＂理论,既不是一种糊里糊涂的表演,也不同于＂低调表演＂和＂不表演的表演＂,而是一种经过精心设计的中性表演状态,从而给中国电影提供了一种重要的表演思想资源。
|
| 关 键 词： | 黄建 新《黑炮事件》 画面造型 模糊表演 电影美学 |
Modeling of Frames and Vague Performance in The Black Cannon Incident |
| |
| LI Zhen-lin.Modeling of Frames and Vague Performance in The Black Cannon Incident[J].Tangdu Journal,2011,27(2):92-97. |
| |
| Authors: | LI Zhen-lin |
| |
| Institution: | LI Zhen-lin(Department of Drama and Literature,Shanghai Theatre Academy,Shanghai 200040,China') |
| |
| Abstract: | In the image aesthetic system of the fifth generation films,The Black Cannon Incident,directed by HUANG Jian-xin,has displayed his being special.His use of color and montage have made the connection of different color sequences produce the meaning of montage.He has shown his special feature in the method of composing pictures,which can be called newly formed pictures.In dealing with performance,he has put forward his theory of Vague Performance,which is neither a soft-headed performance nor a showy perform... |
| |
| Keywords: | HUANG Jian-xin The Black Cannon Incident modeling of frames vague performance film aesthetics |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
|
