| 创作之源·女性·“如此父亲”——蒲松龄与莫泊桑比较二、三题 |
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| 引用本文： | 李祝亚. 创作之源·女性·“如此父亲”——蒲松龄与莫泊桑比较二、三题[J]. 贵州民族学院学报, 2007, 0(6): 128-132 |
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| 作者姓名： | 李祝亚 |
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| 作者单位： | 贵州民族学院民族文化学院 贵州贵阳550025 |
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| 摘 要： | 蒲松龄与莫泊桑作为中西短篇小说之王与巨匠,都是高产作家,然其创作之源不同,蒲松龄靠的是想象的天份,而莫泊桑的生活经历与创作实践的联系则格外密切;他们都非常关注女性,然而他们笔下的女性世界迥然不同,一为"花妖狐魅",一为人间女子;他们都写了一些有关"如此父亲"及其"孽果"———弃儿、私生子的短篇佳作,他们的命运又如何?
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| 关 键 词： | 蒲松龄 莫泊桑 比较 |
| 文章编号： | 1003-6644(2007)06-0128-05 |
| 修稿时间： | 2007-10-19 |
Source of Creation,Female and "What a Father" |
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| Li Zhuya. Source of Creation,Female and "What a Father"[J]. Journal of Guizhou University for Nationalities, 2007, 0(6): 128-132 |
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| Authors: | Li Zhuya |
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| Abstract: | Being Chinese and western short story writers and great masters,Pu Songling and Guy de Maupassant are both writers producing lots of works,however their sources of creation are different: Pu by imagination while Maupaassant by combination of his own life experience and creative practice.Both of them care for female, but the female world under their pens are absolutly different. |
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| Keywords: | Pu Songling Guy de Maupassant comparison |
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