| "缪篆" 考论 |
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| 引用本文： | 徐海斌. "缪篆" 考论[J]. 南昌大学学报(人文社会科学版), 2007, 38(3): 132-135 |
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| 作者姓名： | 徐海斌 |
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| 作者单位： | 安徽大学,历史系,安徽,合肥,230039 |
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| 摘 要： | 确定“缪篆”一词产生的时代,是正确揭示“缪篆”性质的起点。“缪篆”和“摹印”功用一样,但风格有异,“摹印”与“缪篆”之间存在着一个发展过程;“缪篆”指的不是有谬误的篆文,也不是笔画屈曲缠绕的字体,而是指汉武帝太初至王莽居摄时期臻于成熟的汉印文字,其特点是笔画饱满、结体方正、风格整肃。
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| 关 键 词： | 缪篆 摹印 日用文字 演变 结体 笔画 |
| 文章编号： | 1006-0448(2007)03-0132-04 |
| 修稿时间： | 2007-02-27 |
An Exploration of "Mou Zhuan" |
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| XU Hai-bin. An Exploration of "Mou Zhuan"[J]. Journal of Nanchang University(Humanities and Social Sciences), 2007, 38(3): 132-135 |
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| Authors: | XU Hai-bin |
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| Abstract: | Making sure the age when the word of "Mou Zhuan" is made first,is the beginning point for us to reveal the nature of "Mou Zhuan"."Mou Zhuan"and "Mo Yin "are resemble in function,but different in style.There is a developing process from "Mou Zhuan "to "Mo Yin"."Mou Zhuan "does not refer to a false seal cutting,nor the character whose stroke is zigzaging,but it refers to the character which becomes mature in the sovereign period of the Han Wuding in the Han Dynasty to that of Wang Mang.It has the feature that the stroke is full,the structure square and the style well-knit. |
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| Keywords: | Mou Zhuan Mo Yin everyday use writing evolution structure stroke |
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