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毛泽东诗词象征艺术浅论
引用本文:杨景春. 毛泽东诗词象征艺术浅论[J]. 南昌航空大学学报, 2005, 7(2): 67-72
作者姓名:杨景春
作者单位:浙江衢州学院教育系 浙江衢州324000
摘    要:毛泽东诗词使抽象的意思具体化,语言精炼而发人想象的象征手法比比皆是。通过自然景物隐喻自己对现实的感慨,勾勒特定的人物动物形象借以表达自己的远大理想与博大胸怀,是毛泽东常用的手法,暗示性间接性含蓄性以及不确定性十分明显。作者用自己的语言艺术地创造了一个特有的象征世界,连绵的群山,奔腾的流水,展翅的鲲鹏在诗中都打上了“毛泽东”的印记,诗人深邃的思想内涵得到了淋漓尽致的表现。毛泽东秉承庄屈浪漫主义诗风,不但有艺术的渊源,还有生理与心理的渊源呢!

关 键 词:毛泽东  诗词  象征  艺术
文章编号:1009-1912(2005)02-0067-06
修稿时间:2004-10-08

On the symbolic art of poems written by Mao Tsedong
YANG Jing-chun. On the symbolic art of poems written by Mao Tsedong[J]. Journal of Nanchang Institute of Aeronautical Technology(Social Science), 2005, 7(2): 67-72
Authors:YANG Jing-chun
Abstract:Mao Tsedong concretized the abstract meanings of his poems with concise language and imaginable symbols. His common writing skills were to express his feeling about reality by symbolizing the natural objects and his high ideal and broad-mindedness through depiction of the images of special figures and animals in an implicit way. He used his own language art to create the special symbolic world in which mountains, streams and rocs flapping their wings have symbolic meanings in his poems. His profound thought was manifested in an all-round way. His inheritance of the romantic poetic style of Qu yuan and Zhunag Zi had the artistic source as well as physiological and psychological sources.
Keywords:Mao Tsedong  poems  symbol  art
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