| 沈从文文学思想散论 |
| |
| 引用本文： | 关峰.沈从文文学思想散论[J].兰州大学学报(社会科学版),2005,33(5):26-31. |
| |
| 作者姓名： | 关峰 |
| |
| 作者单位： | 兰州大学,文学院,甘肃,兰州,730000 |
| |
| 摘 要： | 文学思想有广狭之分,这里是在广义的意义上使用的,指文学中表达的思想.沈从文新的道家思想形成了悲哀的审美观念,具体表现为"静"的意境和美丽的忧伤情调.现代性是在主观的基础上发展的,沈从文通过病的隐喻指出都市文明对生命和人性的摧残和扼杀.面对新的思维方式,沈从文固守"思"的观念,同时也在"信"的压力下作出了某种调整.
|
| 关 键 词： | 沈从文 文学思想 美丽的忧伤 病 思与信 |
| 文章编号： | 1000-2804(2005)05-0026-06 |
| 修稿时间： | 2004年11月1日 |
Reflections on SHEN Cong-wen's Literary Aesthetics |
| |
| GUAN Feng.Reflections on SHEN Cong-wen's Literary Aesthetics[J].Journal of Lanzhor University(Social Sciences),2005,33(5):26-31. |
| |
| Authors: | GUAN Feng |
| |
| Abstract: | The author holds that the Taoist sentiment in SHEN Cong-wen's novels has formed a melancholy that is revealed in his obsession with the stationary and the sentimental beauty. His metaphor of human sickness for the whole urban civilization as a detrimental agent to the humanity is particularly representative of his preference for the "meditative" and "trustworthy". |
| |
| Keywords: | SHEN Cong-wen literary aesthetics sentimental beauty sickness meditative and trustworthy |
| 本文献已被 CNKI 万方数据 等数据库收录！ |
|
