| 艺术解释的向度 |
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| 引用本文： | 张清民.艺术解释的向度[J].烟台大学学报(哲学社会科学版),2003,16(4):404-407. |
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| 作者姓名： | 张清民 |
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| 作者单位： | 河南大学,文学院,河南,开封,475001 |
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| 摘 要： | 主观性、历史性、对话性、无限性是艺术解释活动中的四个重要向度,它们决定着解释的方向、结论以及解释的广度和深度。在此向度上进行艺术解释活动,可以使主观与客观、传统与现代、自我与他者、现实创造性以及未来指向性之间的张力或冲突,得到相应的缓解或解决。
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| 关 键 词： | 主观性 历史性 对话性 无限性 |
| 文章编号： | 1002-3194(2003)04-0404-04 |
| 修稿时间： | 2003年6月14日 |
The Dimensions of Artistic Interpretation |
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| ZHANG Qing - min.The Dimensions of Artistic Interpretation[J].Journal of Yantai University(Philosophy and Social Science Edition),2003,16(4):404-407. |
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| Authors: | ZHANG Qing - min |
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| Abstract: | There are four important dimensions in artistic interpretation, they are subjectivity, historicalness, dialo-gism and infiniteness. These four dimensions determine the direction and conclusion of artistic interpretation and they also determine the extent and depth of artistic interpretation. If the artistic interpretation bases on these dimensions, a series of conflicts such as subjectivity and objectivity, tradition and modernity, selfness and otherness,real creativity and artistic transcendentness,can be resolved. |
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| Keywords: | subjectivity historicalness dialogism infiniteness |
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