| 亨利·米修与中国 |
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| 引用本文： | 曹文刚.亨利·米修与中国[J].华北水利水电学院学报(社会科学版),2014(6):135-137. |
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| 作者姓名： | 曹文刚 |
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| 作者单位： | 淮北师范大学 外国语学院,安徽 淮北,235000 |
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| 基金项目： | 2014年度安徽省高校人文社会科学研究重点项目《生态语言学视阈下的“译语”语言研究》 |
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| 摘 要： | 亨利·米修与西方文化传统格格不入,在精神探索中与中国智慧携手,将他所接触的中国人和中国风物置于情感的、心理的、文化的、哲学的多种层面上,以西方作为参照,在他的眼里,普普通通的中国人的生存方式和行为方式,都表现为一种智慧。中国绘画与诗,与书法同道、同源,密不可分,这三者之间内在的和谐关系,归根结底就是与宇宙、自然的和谐关系。中国的绘画、书法、戏剧重表现而非再现,重神似会意而非描形摹状。中国戏曲的虚化对米修的艺术创作产生了重要影响。诗人趋虚向道,走进道家智慧。道家思想使诗人获得一种新的关照、新的眼光、新的语言。道家思想给予了他某种务虚智慧,使他的诗歌创作悖逆西方传统,展现出一种新的气象。
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| 关 键 词： | 米修 中国戏曲 道家 线性 虚 表现 |
Henri Michuaux and China |
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| CAO Wen-gang.Henri Michuaux and China[J].Journal of North China Institute of Water Conservancy and Hydroelectric Power(Social Sciences Edition),2014(6):135-137. |
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| Authors: | CAO Wen-gang |
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| Institution: | CAO Wen-gang ( College of Foreign Languages, Huaibei Normal University, Huaibei 235000, China) |
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| Abstract: | Henri Michuaux disagreed with the Western culture tradition and he loved Chinese culture. He thought behavior styles of common Chinese life as a kind of wisdom. Chinese painting, calligraphy, poetry are closely related to each other and their innate harmonious relationship is the relationship with universe and nature. Chinese painting, calligraphy, opera emphasize expression rather than representation, and stress resemblance in spirit rather than similarity in form. Chinese Taoism gave him enlightenment and made his poems violate the Western tradition. |
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| Keywords: | Henri Chinese opera Taoism enlightment |
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