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梅山傩戏《和梅山》
引用本文:曾迪.梅山傩戏《和梅山》[J].湖南人文科技学院学报,2006(5):114-118.
作者姓名:曾迪
作者单位:娄底市文化局,湖南,娄底,417000
摘    要:“渔猎”是古梅山人的主要生活方式,每当狩猎时都要敬梅山神,后来随着生产力的发展,逐渐衍变成一种戏剧形态《和梅山》,梅山人认为《和梅山》可以敬神祈财,禳解治病,解厄消灾,保地方平安清泰。《和梅山》的搬演形式有请神、祭神、领兵与差兵,搬演内容随地域与群体生存方式的不同而变化。《和梅山》“祭”中有“戏”,“戏”中有“祭”,是原始戏剧形态的反映,它集多种艺术于一身具备广泛群众基础,它主张神人平等,突破了佛道教派神为至上的桎梏,同时使用方言土语,通俗易懂,易于接受。

关 键 词:梅山  《和梅山》  搬演内容  社会功能
文章编号:1673-0712(2006)05-0114-05
修稿时间:2006年6月28日

Meishan Nuo Opera "He Mei Shan"
ZENG Di.Meishan Nuo Opera "He Mei Shan"[J].Journal of Hunan Institute of Humanities,Science and Technology,2006(5):114-118.
Authors:ZENG Di
Abstract:"Fishing and hunting" is the main life style of the ancient Meishan people.When they were hunting,they must worship the Meishan God,with the development of productivity,it became a kind of opera style.The Meishan people think "He Meishan" opera can be not only blessing God and praying wealth,avioding and curing illness,relieving the doom and elimilating the disaster,but also let the people sound and safety."He Meishan" has playing forms such as "inviting God" "offering a sacrifice to God" and "leading and sending soldiers" which its contents varies with the region and group life style. It is the reflection of original opera which "offering a sacrifice to God" and "playing" possessed mutually.Varieties of arts gathered in it and it has wide mass basis,stands for that man is equal to God which broke through the shachles of Taoism and confuism which considered that the God is above the man.It used dialects and locals which can be easily understanding and acceptable.
Keywords:Meishan  "He Meishan"  content of performance  social function  
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