| 入神：文学的超审美境界——以李杜诗歌为例 |
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| 引用本文： | 潘殊闲.入神：文学的超审美境界——以李杜诗歌为例[J].华北电力大学学报(社会科学版),2007(2):96-101. |
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| 作者姓名： | 潘殊闲 |
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| 作者单位： | 西华大学人文学院,四川,成都,610039 |
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| 摘 要： | 严羽在《沧浪诗话》中所说的“诗之极致有一,曰入神”是一个非常深刻的见解,它不离审美而又超越审美,也即指艺术的伟大性。在中国传统文化的背景中,“神”与“道”互通,它们共同表现了一种玄妙的人生之境。严羽认为只有李杜诗歌才达到“入神”境界的根本原因,在于李杜诗歌是真善美的完美结合,在于李杜能在变中求常,在时代中求永恒,把根本性的人生问题的时代兴奋点、聚焦点转化成艺术,从而实现了文学的“伟大”并入于“神”。
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| 关 键 词： | 严羽 沧浪诗话 入神 李杜 诗歌 |
| 文章编号： | 1008-2603(2007)02-0096-06 |
| 修稿时间： | 2006年10月20 |
"Going into Sanctitude": Para-esthetic Realm of Literature——Take the Poems of Libai and Dufu |
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| PAN Shu-xian."Going into Sanctitude": Para-esthetic Realm of Literature——Take the Poems of Libai and Dufu[J].Journal of North China Electric Power University(Social Sciences),2007(2):96-101. |
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| Authors: | PAN Shu-xian |
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| Abstract: | "Going into sanctitude is the highest realm of poems" said by YanYu in his book named Canglang Shihua is a opinion.This opinion means the grandeur of art, was related with taste and beyond taste.In the circumstance of Chinese classic culture,"sanctitude" and "Tao" had many same meanings,both of them showed a kind of occult human's realm.YanYu considered that the prime reasons why only Li Bai and Du Fu's poems could reach the sanctitude realm as follows: their paetry as the perfect mixtures of truth,goodness and beauty;Li Bai and Du Fu could find stabilization in change,find permanence in the time;and they could change the prime problems of human's life into art,and realize the grandeur of art into "sanctitude". |
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| Keywords: | Yan Yu Canglang Shihua sanctitude Li Bai and Du Fu poetry |
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