“格物致知”对“诚斋体”诗学品格的影响探析

南宋诗人杨万里身兼理学家和诗人的双重身份,他在潜心学术的同时,不仅接受了理学"格物致知"的认识方法,而且将"格物致知"与诗歌创作在思维和审美领域里沟通起来.他所创立的"诚斋体",最大的特点就是以自然物象为主要的审美对象,并以独特的视角去对待宇宙自然."诚斋体"的这种审美特质与"格物致知"在本体论、认识论中所体现出的美学意蕴有着密切的联系.本文力图通过"格物致知"与"诚斋体"之间关系的一个侧面,表明文化学术思想经过诗人这个中介,可以化为诗人的人生态度和人格精神,并经过心灵与情感的融会,成为审美化的诗性流露,杨万里则充分体现了这一中介作用.

The Influence of "Gewuzhizhi"upon "Chengzhai Style"

Yang Wan li,poet and scholor of "Lixue" in Southern Song,not only accepted the cognitive methods of "Gewuzhizhi"(ie study the phenomenon of nature to acquire knowledge) of "Lixue" but applied it is poem composition and the study of aesthetism. The key point of his "chengzhai style" was to treat natural objects as the main objects in aesthetic appreciation. The particular angle of view and its aesthetic essence of "chengzhai style" are closely related to the aesthetic significance reflected in ontology and epistemology of "Gewuzhizhi".From one side of the relationship between "Gewuzhizhi" and "Chengzhai style" ,this essay tries to express such an idea that:via the media of poet,the academic view of the poet can convert into his own attitude towords life and his personal spirit,and finally be unbosomed in his lines. Yang Wanli was just such a media.